Friday, December 13, 2019

Photoshop Challenge

Find a Photoshop effect that you want to try- post images that you want to try to the blog.
Find a tutorial to help you create the effect and to develop your Photoshop skills.
Post the URL to your blog too.
Rate the tutorial 1-5. Critique how the tutorial is helpful or confusing.

Post your progress at the end of each class and write notes about how you are doing. Make sure to add images to show what you have accomplished.

Here are a couple of tutorials for starters:

Basic Photoshop Editing Tutorials:
Quick Start Guide to Photoshop #1- Phlearn
Quick Start Guide to Photoshop #2- Phlearn
learn-the-basics-of-photoshop-in-under-25-minutes
5 Photoshop Mistakes

Double Exposure Tutorials:
design.tutsplus.com
500px.com
photoshopcafe.com

Levitation:
levitation-photography-tutorial/

Randomness:
Phlearn
Digital Rev



Thursday, November 28, 2019

10 Self-directed progress report

The Process
  1. Describe your process- write notes while you are learning the program/how to do or teach others. Post an update of your progress each class. Post reflections, what have your learned? Post images. Consider goals of what's next... how are you challenging yourself?
 /25
  
The Results
  1. Post your work in progress and finished work. 
  2. Reflect on your process- Did you achieve your anticipated results? how well did you do? Give your self a mark and explain why you are giving it to yourself.
  3. What's next...
/25

Finally... Semester Review
Write a reflection on your process for the term:
What have your learned?
What have you struggled with?
Any additional comments?

Monday, November 25, 2019

Surreal Photoshop

Eric Johansson

You are to create a surreal image combining two distinctly different photographs to make one believable image. For this project you are to play with scale and the juxtaposition of two image to give an illusion of a make-believe world of giants and little things.




Here are some inspirations:

http://www.erikjohanssonphoto.com/https://www.ted.com/talks/erik_johansson_impossible_photography
https://mymodernmet.com/surreal-photography-luisa-azevedo/
surreal-photos-alter-perspectives-of-scale-being-and-conciseness


Surreal Scale Photoshop- Step by Step Tutorial
create-a-surreal-miniature-portrait-post-production tutorial
There are images to follow this tutorial in the share folder, but you need to create your own combination of images with your own surreal image.
You can find royalty free images here:
https://www.pexels.com/
https://pixabay.com/
https://unsplash.com/

Open up the two background images and place them into the same document as layers.




Pianotut-baselayers

Make sure the image of the pressed key is on the top layer. You can either click and drag the layer on top of the other in the Layers panel, or use Command/Ctrl-[ or Command/Ctrl-] to move the layers up and down. I chose to name the bottom layer BG, and the layer above it BG - finger. It should look like this:




PianoTut-Foundation

Create a Layer Mask for the BG-Finger layer. The Mask button is located at the bottom of the Layers panel.




PianoTut-MaskFinger-layers
Hit B to select the Brush tool and make a hard, large brush. Make sure your foreground Colour is Black and Opacity is set to 100%. Begin to paint over the finger, as well as the shadow the finger has created. When you are painting, make sure to select the layer mask first.




PianoTut-MaskFinger

After masking out the finger, you should now have a nice clean image of the piano and lowered key. It is now time to start placing the model.
Open up the model file and paste it into the document. This will create its own layer. Make sure it is the top layer. Name it Model




Pianoman-modellayer

Use the Quick Selection (W) tool and start to select the model's figure. There are many different ways to select and isolate objects in Photoshop, but for this tutorial, I will show you the Quick Selection and Refine Edge way. Feel free to use the method you are most comfortable with.




PianoTut-SelectionTool

As you continue to select the model's figure, the Quick Selection tool might accidentally grab some background, as well. This is normal. To fix this, make your brush a bit smaller and use the Alt/Opt button to control the plus and minus for the selection. Your selection should look like this.




PianoTut-Selection

Once your selection is complete, click on the Refine Edge button that is located just above the image.
Note: You must have the Quick Selection tool active for this button to appear.




Pianotut-refineedgebutton

Refine Edge will open up a menu with a bunch of options. Starting from the top, change your view to On Layers. Select Smart Radius and bring it up to about 3 or 4 pixels. Smooth the edge by about 20. Select Decontaminate Colors and ouptut to New Layer with Layer Mask. Click OK.




PianoTut-Refineedge

Once you click ok, you will see that you will have a copy of the model, and that layer will have given you a mask of your selection. This method will sometimes leave some areas that need some touching up. No problem. Zoom in and use a hard brush with 100% Opacity, and with the layer mask selected, simply paint away the excess like you did in the very first step.




PianoTut-ModelRefinement

Select your model layer and press Command/Ctrl-T (free transform). You will see a box form around the model. While holding Shift, click and drag one of the corners down until the model is the appropriate size. Hit enter.




PianoTut-freetransform

Place the model in the appropriate spot at the end of the key.




PianoTut-Modelplacement

For this to look realistic, we need to add a shadow behind the model, but first we need to mask out a bit of the model's leg so that it appears to be behind the key. Pick a small, hard round brush and paint away some of the thigh.




PianoTut-Maskmodel

Create a new layer Command/Ctrl-Shift-N and name it Shadow. Using a medium-hard brush, black with 100% Opacity, paint a rough black shape that will resemble where the shadow would fall. Don't worry about it being perfect and don't worry about overlapping things. There are tons of ways to create shadows, but this way is very simple and easy.




PianoTut-Drawshadow

Soften the edges of the shadow by either going to Filter > Blur > Gaussian Blur or using a soft brush and masking around the edges. I chose to blur it around 16 pixels.




PianoTut-Gaussian

Add a mask to this layer and using a soft brush, begin to refine the shadow. Make sure your brush is black, and a low opacity of 10-30%. Pay close attention to the outline of the key beside the model and the leg area. Space that is directly beside the model should be almost completely black and should smoothly fade out. Keep working on it until it starts to look like this.




PianoTut-RefineShadow

This is where you can be creative and export the final photo with your own colouring style. These last few steps show how I finalized this image.
Create a Gradient Map adjustment layer. Make sure your foreground colour is black, and background colour is white. This will make your image completely black and white. Change the Opacity to 40-50% to dial it back a bit and make the image a nice moody, unsaturated scene.




PianoTut-GradientMapMenu
PianoTut-GradientMap

Next, create a Curves adjustment layer and match the curve points to how I have it in the photo. This will make your photo look really dark, don't worry that's normal.




PianoTut-CurvesMenu
PianoTut-Curves

Use your Brush (B) tool and make a large, very soft brush at around 40-60% opacity. Select the Layer Mask that comes with the Curves Adjustment Layer and begin to manually paint out some areas where it is too dark. Essentially what we are doing here is creating a vignette, but with more precision and control. It should look like this. Note the Curves mask.




PianoTut-Curvesmask
The red represents the area that I have masked out
The red represents the area that I have masked out.

The last thing we will do is add a bit of sharpening. Press Command/Ctrl-Option-Shift-E to make a copy of all the layers merged together. Make sure this layer is moved to the top. Name this layer sharpen.




PianoTut-SharpenLayer

Go to Filter > Sharpen > Unsharp Mask




PianoTut-Unsharpmenu1

Move the amount slider to around 50-56 and a radius of 2 pixels.




PianoTut-Unsharpmask

Friday, September 13, 2019

10 Self- Directed Challenge

You are to choose a medium, concept, or program to challenge yourself in a direction that you are interested in. The project is up to you. The level of challenge is up to you, but make sure that you are learning something that is valuable to you.
  1. Brainstorm- Find inspiring examples/visual ideas and post to your blog.
  2. Select your favorite idea- Identify what you are going to try. Make sure that you choose something that challenges you. Try something new.
  3. Plan your project- Write or sketch out how you are going to teach yourself how to learn the techniques. Write a proposal about what you are hoping to learn and achieve throughout this project. Note how challenging you think it is for you (maybe on a scale from 1 to 10).
  4. Research ways to do the project. Find a tutorial or steps to try.
  5. Post tutorial web address(es), rate the tutorial. How was it useful for you? 
  6. Start your project.
  7. Describe your process- write notes while you are learning the program/how to do or teach others. Post an update of your progress each class.
  8. Post your finished work. 
  9. Reflect on your process
  10. Teach others how to do the techniques.

  1. Illustrator
Photoshop
Animate

Thursday, September 5, 2019

Illustrator Norval Morrisseau

Norval Morrisseau was an Anishinaabe Aboriginal Canadian artist. Best known for his paintings of mythical tableaux, his narrative works of figures and animals were painted in vibrant, fluorescent colors featuring thick black outlines akin to stained glass windows or woodcuts. “These paintings only remind you that you're an Indian. Inside somewhere, we're all Indians,” the self-taught artist once said. “So now when I befriend you, I'm trying to get the best Indian, bring out that Indianness in you to make you think that everything is sacred.” Born on March 14, 1932, in Beardmore, Ontario, he achieved widespread national success throughout his artistic career, garnering major commissions such as a large mural created for Expo 67 in 1967, which expressed the political dissatisfaction of the First Nations People of Canada. Morrisseau also regularly exhibited and sold his work in various Canadian galleries until his death in Toronto on December 4, 2007. Today, his work can be found in the collections of the Royal Ontario Museum, the National Gallery of Canada, the Dennos Museum Center, and the Art Gallery of Windsor, among many others.

Borrowed from:



Pen Tool Tutorial

Pen Tool Tutorial

The Path Tool will be the hardest tool to learn in Illustrator. It usually take weeks to learn and beginners always end up in frustration while figuring how it works. So don’t give up and practice it every day and soon you will be able to draw any shape.

Drawing Straight Lines


Select the Pen Tool and click once to add the first anchor point. Move your mouse to the next position and click again to create the second point. The two anchor points will be connected together. Continue doing this to create a W shape as shown.To draw a new line, click the Selection Tool(The Black Arrow Icon) and click back the Pen Tool again.

pen tool in illustrator

Closing a Path


To close a path, click back the starting point to close the shape.

Closing a path

Drawing a Curved Line


Click and drag to put out the handles to create a smooth anchor point.

pen curve

Changing Path Directions


Click and drag to create a smooth anchor point. Without releasing your mouse, hold Alt/Option and drag the handle up to change the path direction.

pen curve

Drawing a Circular Path


Click and drag to create a smooth anchor point. Continue adding points and click back the starting point to close the path.

pen circle

Adding Anchor Points


With the Pen Tool selected, go near the path where you want to add a new anchor point. A plus sign will appear next to the pen, click on the path to create a new anchor point.

add anchor points

Removing Anchor Points


To remove point, move your Pen Tool close to an anchor. A minus sign will appear next to the pen. Click on the anchor point to delete it.

removing anchor points

Converting Anchor Points


To convert a smooth anchor point to a sharp anchor point, move your Pen Tool near the anchor and hold Alt/Option and your Pen Tool will change to an arrow shape. Click on the smooth anchor to convert it to an anchor point. Click and drag on the anchor point again to change it back to a smooth anchor point.

convert anchor points

Moving Anchor Points


Select the Direct Selection Tool and click and on anchor you want to move. Click and drag to change positions.


Changing Anchor Directions


With the Pen Tool, you can quickly change the anchor directions. Hold Ctrl/Command to quickly change the Pen Tool to Direction Selection Tool. Select the anchor point you want to edit. The anchor handle will appear. Now release Ctrl/Command and hold Alt/Option to change it to Convert Anchor Tool. Click and drag the handles to change the direction.

change anchor handle

Drawing an Old Key


After learning the concepts of how the Pen Tool works, we will apply what you have learnt to create this ancient old key shape. For the right angles, hold Shift before adding anchor point to constrain it to 90-degree.

old key

old key 2

Final Illustration


This is the final illustration.

final key

Tips for Using Pen Tool

  • Use as little anchor points your need to create your shape
  • Add anchor points where there is a change in direction of the line/curve
  • Use shortcuts like Alt/Option or Ctrl/Command to quickly swap to other tools to edit your path
  • Hold shift to lock your path while adding new anchor point for 45-degree increments.

More Training for Pen Tool


Here are some more exercises for tracing using Pen Tool. Save it to your desktop and place it in illustrator by going to File>Place. Select the image and make sure Template is ticked. The image will now be faded and placed as a template. Now you can start practicing...

basic shapes

complicated shapes

Welcome to Computer Arts 9/10


Computer Art is any art in which computers play a role in production or display of the artwork. Such art can be an image, sound, animation, video, video game, web site, algorithm. At LFAS Computer Arts students will expand their computer skills through visual communication while learning basic design skills and how to use design software.

Digital artists are visual communicators and storytellers. They use strategic thinking and processes to communicate ideas: inspire, inform, educate, and/or entertain in 2D and 3D media. Students will be challenged with various design tasks and assignments to solve problems and incorporate design in a creative way while learning how to use the listed programs. 


Course Outline:

Term 1- Students will learn/review basic functions of the standard computer art programs:


  • Illustrator 
  • Photoshop


  • Flash Animation

  • Term 2- Then students will develop a project plan and a self-directed guideline to learn how to use the tools to create something that they are interested in making and learn programs that are relevant to them.

    Tuesday, May 28, 2019

    Animate Tutorials

    Make sure to do the following Adobe Animate Tutorials export as a .SWF movie or Video file and save to the STUDENTSHARE folder:
    1. Motion Tween
    2. Shape Tween
    3. Colour Tween
    4. Scale Tween
    5. Rotate Tween
    Title each with your name and the "Tween" style.

    Monday, May 27, 2019

    Animation Assignment

    Make a short animation project with a simple narrative using a famous masterpiece as inspiration. 

    Develop a simple story about a famous masterpiece painting. Your masterpiece will be animated to show movement from frame to frame and/or tween animation and your will be confronted with some sort of conflict and resolution. The masterpiece could be using part of itself, or add subjects or props to tell help your new story. Be creative and have fun; it can be what anything you want it to be.

    Guidelines are not rules, but a formula that can be used to suit your creative imagination. The following guidelines are for narrative.
    A good story has characters in action with a beginning, middle, and an ending. A lot of information can be given in a single setting. Location, time, and atmosphere aid viewer imagination.
    1. Create a situation with possibilities of what might happen.
    2. Adapt a masterpiece either animate parts of the original painting or illustrate new subjects or props or backgrounds.
    3. Tell a story about the masterpiece or the subject in the painting.
    4. Build to probable outcomes.
    5. Give a conflict
    6. Create a resolution- create a logical, but surprising, end.


    Tuesday, April 23, 2019

    Introduction Adobe Animate CC

    Adobe Animate (formerly Adobe Flash Professional, Macromedia Flash, and FutureSplash Animator) is a multimedia authoring and computer animation program developed by Adobe Systems.

    Animate can be used to design vector graphics and animations, and publish the same for television programs, online video, websites, web applications, rich internet applications, and video games. The program also offers support for raster graphics, rich text, audio and video embedding, and ActionScript scripting. Animations may be published for HTML5, WebGL, Scalable Vector Graphics (SVG) animation and spritesheets, and legacy Flash Player (SWF) and Adobe AIR formats.

    Here is a fun animation that takes a look at the different aspects of Adobe Flash/Animate:



    https://youtu.be/npTC6b5-yvM

    Animator vs. Animation is playing with an old version of Adobe Animate called Flash. The program has transitioned to Adobe Animate CC now, but there are many similarities. Watch the video a couple times and you will get to understand the tools and what they do.

    Here is an in-depth tutorial in Adobe Animate. 

    https://youtu.be/3iXSQ8VcPcU

    Skip to timecode:
    0:05:11
    Introduction- Starting a new animation and set-up workspaces.
    Try starting a new animation, save your animation, and then play around on stage...

    0:14:18
    Tools & Properties
    Next, experiment with the tool bar and explore the different abilities of the tool bar.

    0:42:30
    Drawing & Coloring
    Transfer some of your Illustrator skills to Animate. Both vector graphic programs, have similar ways

    0:53:56
    Timeline & Utilities
    Here's where the movement and timing happens

    1:04:28
    Animation Basics
    Now we're going to start moving... moving along..

    1:26:11
    Filters & Effects

    1:32:01
    Libraries

    1:37:32
    Publishing